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Paul McCartney

Paul’s Art
Impressions
of Paul McCartney’s art exhibition
Page 1
Beatles Ireland Member Jens Schurmann lives
in Germany not too far from a place called Siegen. He found time
to go and have a look at Paul’s art exhibition, and gives
us his impressions of Paul’s work.
It was the early morning of a beautiful
day (my birthday) when I got on the train that would bring my
girlfriend and I to Siegen, an old town in the south of Westphalia,
in Germany. (This region is known as the Siegerland, which got
its name of the river Sieg that flows into the Rhine). In Siegen
you can find two castles, a university and a new shopping centre,
but up to this day I had never had a reason to go there although
the landscape around this town is wonderful. If you ever go by
train look out the window and enjoy the countryside. The track
sometimes follows the river you pass little towns and villages,
you travel through tunnels (it is a mountainous region) and through
large forests.
Disappointing or Impressive?
I was very expectant of what it would be
like to see paintings by Paul McCartney. Would it be disappointing
or 'as I hoped' impressive? If you haven’t read all of the
last newsletters carefully, about 70 of over 500 paintings that
Paul painted since 1983 were shown in Siegen for the first time
ever in public. Paul had always been afraid of an exhibition because
he had expected that he would be taken seriously as a painter
only because of his fame as a former Beatle.
He finally chose this provincial town for
his first exhibition. Wolfgang Suttner, Cultural Events Officer
for the Siegen-Wittgenstein district, came in contact with Paul
after he had written him a letter in which he expressed his interest
in Paul’s paintings. He was invited to London and after
several visits over an number of years later Paul agreed with
the idea of an exhibition in Siegen.
Opening
What Paul had expected came to pass, hundreds
of reporters from newspapers and TV stations all over Europe,
came to the opening although nobody had ever seen anything of
this painter before. Everyone wanted to see the work of the former
Beatle who has written some of the most beautiful and most important
contemporary of songs, now attempting to be seen as a serious
painter (I have to confess that I also would have never been interested
in the exhibition were it not by Paul McCartney because I am not
into art at all).
There were many posters on advertising pillars
drawing one’s attention to the exhibition - even in my town
which is a few hundred kilometres from Siegen and in Siegen itself
there were posters wherever you looked.
Something Missing
However there was one detail missing, an
address or something else, which could have helped one to find
the way from the station to the gallery. Nothing! We walked around
looking for direction, and I finally decided to ask somebody the
way. My girlfriend suddenly said, "Look!" a few metres
above and in front of us there was a little poster saying 'Paul
McCartney - Paintings' and an arrow pointing the way to the gallery.
We went in this direction and after some time reached the end
of the town. Did we have to go that far or (which was more likely)
was there a arrow missing that would have shown a change of direction?
We decided to turn back. At the next intersection we discovered
the missing arrow on the other side of the road!
Photo’s of Linda
Finally we reached the gallery. It was still
morning and only a few people were about, but the guest book was
about the fifth, and as the woman at the entrance said, "perhaps
some of the people hoped that Paul would read what they had written
and they couldn’t stop writing". In the foyer you were
already inside an exhibition area. About ten photos which Linda
had taken were displayed there. Only three or four items showing
Paul as a painter; the black and white photo's on front of the
photograph booklet; the others were landscapes or clouds, as far
as I remember (You must realise that it is hard to remember everything
because I saw so many pictures on this day).
When we went into the next room we saw the
first original paintings by Paul. It was impressive.
Completely White
The room was completely white and the only
contrasts were provided by the people in there and by the paintings.
We slowly went around and had a look at all of them. This took
some time but it was worth it. I didn’t like them all because
some of the paintings were very strange to look at. As I do not
know too much about art I can only say that I think about ten
of the pictures were really good and interesting. I liked the
colours and some aspect of them. Others were average, and some
I didn’t like at all. In my opinion the paintings often
were better the less you saw of them. If Paul had painted less
in abstract and it would have been better for me.
Celtic Motifs
In most of the pictures you can see persons
or their faces. This fact makes many of them similar. A few show
landscapes. Sometimes Paul uses Celtic motifs. He portrays famous
persons like David Bowie 'spewing', Andy Warhol 'in the garden'
or The Queen who is portrayed 'after her first cigarette' or while
she is 'getting a joke'. One painting is called 'John’s
room'. It shows a surreal scene in a strange room, which is supposed
to be John Lennon’s. These paintings and a few others were
very interesting.
To our surprise this was not all that there was to see. At the
end of the exhibition you came into a narrow corridor with six
'monitor-sculptures' which had been especially designed by Paul.
This was the video installation 'feedback' where videos ran simultaneously.
On each one of them Paul was standing in front of a large wall
of amplifiers playing a guitar 'melody' - some strange notes was
the same on all videos. On his head he wore a big helmet. The
information sheet said there was a short passage of the video
where Paul holds an electric saw in his hands, but we didn’t
see that part or what he did with it because these six videos
didn’t start at the same time. There was a great noise in
this corridor which sounded like Sonic Youth and Einstfirzende
Neubauten together in concert!
I was glad that I wasn’t the person
who had to supervise this part of the exhibition. We looked at
the monitor screens for a few minutes until our ears had had enough
and then we were back at the foyer. I enjoyed this exhibition
a lot, and didn’t want to be already through it. It was
a great day, I am lucky that Siegen is not too far away from where
I live. I don’t think that this is the last time Paul McCartney’s
paintings will be exhibited, and so if you ever get the chance
to see them -
Go there!
By Jens Schurmann

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