From the moment he saw them on ‘Thank Your Lucky Stars’
Dick HaIl knew he’d become a Beatles fan. He was besotted
with them and knew they were no flash-in-the-pan group. No, they
weren’t here today gone tomorrow, they had something different.
They had a magic all of their own.
So it wasn’t surprising that Dick, and his wife Maureen
should one-day get to meet his heroes. This is their story.
The year was 1966, the month was June, and it was Saturday 25th.
The Fab Four were due to perform at the Grugahalle in Essen in
Germany. Maureen and I had tickets and so we set out from our
home for the long drive from Hildesheim to Essen.
We left home at about 6:00am in our Simca 1000 with a selection
of Beatles tapes and a few sandwiches for the journey. It turned
out to be a memorable journey and a fantastic day and night.
We arrived in Essen around 2:00pm and made our way to the Grugahalle.
At the hall we were met by hordes of Beatle fans; many with tickets
and many many more with no tickets at all. Most hoping to get
a ticket on the black market, and failing that, perhaps a glimpse
of The Beatles as they entered the hall.
There were kids of all ages, ranging from 13 - 50 and even some
in their 60s. The Beatles crossed all barriers - age, sex, nationality
and language.
I must describe the Grugahalle for you. It is massive in size
as Tennis tournaments are held there. If you could imagine Croke
Park with a roof on it you would be near to getting the picture.
We approached the entrance door and Maureen would not present
the tickets until she was 100% positive that the doorman was genuine.
But no tickets were handed over, and we were directed into this
absolutely enormous hall. Before we went to our seats we were
invited to leave our coats in the cloakroom and were given tickets
for retention.
We would be seated about 100 - 150 feet from the stage and we
would be looking at the stage from an angle. When we looked at
the size of the hall and saw where some of the audience would
be sitting Maureen said "Aren’t we lucky" and
I guess we too.
The hall at first was slow to fill up. We saw one couple who were
handcuffed together, and in a seat behind us sat a woman who was
over 70 years of age and she looked as young as any of the teenagers
in the hall.
Once in the hall we were free to move about and this we did. We
went right down to the stage, which was fronted with large metal
barriers beyond which were a number of burly security men. I approached
the metal barrier and made an attempt to get over it; it was only
about 4 feet high. Looking at me was a security man, or should
I say a security giant, for he was about 6.4" and about the
same in width. He asked "Ausweisse bitte", which is
German for ‘Pass Please’. I didn’t have a pass
and so I said "No". His voice went up about five decibels
and he bellowed "Raus", which is polite for "Go
Away", and so I did.
Maureen met me and said "Let’s go back to our seats,
we can see them from there". I didn’t want to see them
from there, I want to meet them, and I want to touch them, I want
to be at the stage. I want.... I want.... I want. Talk about a
spoiled brat.
At the sides of the stage were some steps leading down to under
the stage.
We went down there and up the far side and now re-entered the
hall opposite to where we should be sitting. The same barrier
was present here and when I approached it, there on the opposite
side was a clone of the security guard I had met previously with
the exact same command of the German language ‘AUSWEISSE
BITTE’ - No - RAUS.
Back we went under the stage; l was cursing like mad. Not only
did I have to question the parenthood of the security men - I
voiced out loud that I was sure their mothers didn’t know
who their fathers were, never mind them themselves knowing.
Maureen was saying "Don’t get upset Dick, come and
we’ll go up and sit down and watch the show. The show would
consist of support acts including Peter and Gordon (World without
love); a German group called the Rattles (a German version of
the Monkees) - a bad one I might add.
Also on the bill at Essen that day was Cliff Bennett and the Rebel
Rousers (Got to get you into my life), so it would be some time
before the Fab Four would grace the stage.
Throughout this time I continued to approach the stage and continued
to attempt to get beyond the barrier. A metal Berlin Wall inside
a building, and I also continued to learn German - at least I
knew AUSWEISSE BITTE and RAUS.
Maureen eventually stopped following me and so as Cliff Bennett
finished their act, I was close to the barrier and Maureen was
some distance behind me. When Cliff left the stage, the feeling
inside the hall began to change. They were the last act, The Beatles
had to be next. The expectancy and the electric feeling of what
was to come passed between everyone in the audience like a wave
of warmth.
It was a feeling that had to be experienced to be appreciated.
It touched you and then went on to the next person to you, only
to come back to you stronger than before.
After about 15 minutes a German M.C. came on to the stage. I thought
"God, surely he’s not going to ask all of us for an
AUSWEISSE BITTE". But no he spoke other German. He was trying
to calm down the audience. He had about as much chance of calming
them down as I had of finding an Ausweisse Bitte.
Even I was screaming and when looked around to where I should
have been sitting, the 70-year-old teenager was also screaming.
After about 5 minutes the M.C. gave up. In German he said "They’re
here now - Here they come John, Paul, Geor……. that’s
as far as he got.
The entire audience, me included went staring mad. I am sure the
roof went up about 3 feet and came back down again. If you listen
to ‘Back in the USSR’, the opening has the sound of
a Boeing 747 Jumbo Jet landing. Well if you turn your volume up
as far as it can go and put your ear against the speaker box,
you will hear a sound equal to about one hundredth of what was
heard in the Grugahalle that day - Honest.
Behind me pandemonium was breaking out. Some people were fainting;
others were rushing forward trying to get over or under the barrier.
I was nearly crushed against the barrier myself.
During all this mayhem I tried to keep an eye on the security
man nearest to me. He eventually did not see me. Whether he was
busy keeping the crowd back I don’t know.
All I remember is, one minute he was watching me and the next
he wasn’t, and in that instant I was moved from one side
of the barrier to the other. As soon as I realised where I was
I turned around and began to help the security men hold back the
fans.
I honestly believe I helped save lives that day. Some of the fans
rushed straight at the barrier and tried to jump over - no regard
for themselves or for the safety of others. Eventually we got
them under control and I turned towards the stage. Another security man looked at me and asked a fellow security
man about me. This was the one I helped to control the fans and
he said ‘Alles in Ordnung’ He is OK, he is all right.
I WAS IN.
I walked the six feet to the stage and stood at the edge - my
elbows were resting on the stage itself.
Two feet from the edge of the stage stood John Lennon himself.
I had died, I was in heaven, this is a dream, if it is - please
don’t wake me.
I wanted to chew but I knew that if I did I would kill myself
because my heart was in my mouth. It was brilliant as The Beatles
performed for about an hour and a half, and throughout they changed
positions. At times George was next to me, then Paul, but it was
mostly John. I was hoping they would move the drum kit, then Ringo
could have been within arm length too.
A few times I looked behind to see Maureen. She smiled at me and
raised her arms above her head in salute at me getting in there.
I thought ‘what am I going to do after the show. I can’t
go out there or I’ll never get back in again. I’ll
worry about that later’.
I can’t remember all the songs they sang, but I remember
‘Paperback Writer’, ‘She Loves You’ and
‘I Want To Hold Your Hand’. Too soon they closed and
disappeared behind the stage. Again I turned to look for Maureen.
She was standing at the barrier trying to speak to one of the
security men. I’m sure all she was getting out of him was
‘AUSWEISSE BITTE’. She was pointing to me and he eventually
turned around and saw me. He took her arm, walked her over to
the barrier and helped her over it to where I was waiting. "WE
WERE BOTH IN".
We went down steps that led to the dressing rooms, where we met
Peter and Cordon and we had a little chat with them. We asked
which room was The Beatles dressing room and they told us. We
watched as some people approached the door and were not allowed
in.
Peter Asher told us "No one is allowed in to The Beatles
dressing room". Even if someone turned up with a telegram
from a family member back in England - they would still not get
in. This is a rule imposed by The Beatles. No one gets in. "We
can’t even get in" said Peter.
This looked like the end of the road for us, the end of the day.
As we waited we saw people trying to argue with the doorman outside
the dressing room. He was English but he had a German security
man with him who spoke German and English. No one got past him.
Maureen was congratulating me on my getting behind the barrier.
Look I said lots of blokes wanted to marry you, but I was determined
that I was going to marry you - and I did, and I was determined
that I was going to get down to the stage and I did that too.
Executive Honorary Members:- Sir
Paul McCartney and Ringo Starr. Executive Patrons:- Sir George Martin,
Julian Lennon. Patron:- Astrid Kirchherr. Honorary Members:- Cynthia
Lennon, Pete Best, Yoko Ono, Gay Byrne, Geoff Rhind, Gerry Marsden, Allan
Williams, Richard Lester, Harry Prytherch, (The Original Quarrymen):-
Rod Davis, Colin Hanton, Eric Griffiths, Len Garry, Pete Shotton.
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